Selections from Bellevue Literary Review, Spring 2002
Foreword
One of the most elegant aspects of hematology
is the intricate balance maintained between bleeding and clotting.
When there is a rent in a vessel, the blood cells must coagulate
strongly enough to prevent bleeding, but not so zealously as to
yield clots that impede normal blood flow. A parallel balance of
creating wounds and healing wounds exists in the human spirit.
There is a constant flow of emotion as wounds are alternately gouged
deeper, then soothed. The interface of these processes is where
the most incisive literature can often be found.
In Sleeping on the Perimeter,
Gaynell Gavin probes the jagged, enduring fissures left by the Vietnam
War, both in the soldiers who fought, and in those who love the
soldiers. What is anger, Gavin asks, but alchemy: grief encoded
and loss transformed? Susan Bavaria explores the war within the
child, and the fall-out on the parents. In Snow Upon My Heart,
she takes us into the seething cauldron of adolescence, and bears
witness to the potent mixture of hormones and childhood pathology.
This issue of the Bellevue Literary
Review examines the creating and healing of wounds at all points
in the human life cycle. In Night Nurse, Barbara Kantrowitz
recreates the surreal environment of the neonatal ICU and the haunting
balance of personal and professional emotions. In Waking the
Garden, Linda Woolford brings us into the rarely examined world
of the adult care facility, reminding us that while bones may become
brittle with age, obsessions and desires do not. Walter Cummins
presses all the generations together; in The End of the Circle
we see three generations colliding and intertwining while traveling
in the cities and countryside of Norway.
The yearning for healing comes from
many perspectives and assumes varied forms. In Ray Gonzalez
pair of stories, these yearnings take on magical qualities as we
travel to the Mexican-American community in Texas. In Philip Levines
lyrical poem, Above the Angels, we discern the layers of
spirituality that hover over an auto factory on a bitter November
day. Kent Maynards poems offer us the perspective of the lepers
and epileptics of Cameroon. In Lyn Halpers delicate essay,
The Koto Player, the intersection of Japanese and suburban
American cultures provides a nexus for healing, but in unexpected
ways.
The beauty
of poetry is its ability to provide snapshots of the human condition,
slices of passion teased out and laid bare on the plate. Celia Gilberts
poems home in on the twin losses of cognitive and bodily independence,
as the effects of stroke penetrate deeper. Jack Coulehan observes
through the eyes of Albert Schweitzer, Gerald Weissman through the
lens of a microscope both arrest a moment in time in which
life is captured. Eamon Grennans exquisitely crafted poems
explore the enduring and generative connection between humanity
and nature.
The struggle
between emotional chaos and order is a theme that runs through many
of the works in this issue. In The Roof is Askew, The Sky Falls
In by Renee Ashley and What Remains by Toby Leah Bochan,
we are taken into the heart of that harrowing vortex. We witness
also the human response to such upheaval. In the story Fitness,
Jessica Treadways protagonist debates the relative merits
of seeing a therapist versus joining a gym. Nikki Moustaki offers
the wry, but poignant, side effects of another treatment in Writing
Poems on Antidepressants, side effects that are unlikely to
be listed in the Physicians Desk Reference. In Scott Temples
Remembering Appleman, a respected psychiatrist has abruptly
and mysteriously retired, leaving in his wake a younger colleague
plagued by memories and questions.
We are delighted
to be able to present two unpublished poems by the late Charles
Bukowski. The powerful sense of immediacy and impeccable sense of
rhythm that are his trademarks are readily appreciated, but in
transit and a tree, a road, a toad reveal a wistful side
that may surprise even veteran Bukowski readers.
Like the cells
circulating in our blood, the poetry and prose of a literary journal
must maintain a delicate equilibrium. We hope you find some writings
in the Bellevue Literary Review that pull you fluidly along,
and others that arrest you in your tracks. And while the blood
that runs herein is strictly metaphorical, a daily dose of literature
may prove equally vital to your well-being.
Danielle Ofri, MD, PhD
Editor-in-Chief
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